THE SHOOTING OF JEAN CHARLES de MENEZES
A re-creation of the shooting of Jean Charles de Menezes by police at the Stockwell tube on July 22, 2005.
 

Former lover accuses artist of stealing her ideas 

Jack Corley in
London
May 22, 2006


The man recently named as the world's most contentious artist has been accused of stealing ideas from a former lover, herself an internationally thorny figure in the art world.

Billy Conklin is England's most dubious contemporary artist. In 2004 after his sculpture of an abused child, Hatrack, failed to auction at its $1.2m reserve (now £686,000), ArtNow magazine put him at number four on a list of the art world's RIPs. It was the highest ranking for any artist.

An inveterate prankster, Conklin once persuaded a museum director to dress up for the sake of art in a white suit out-of-season. But the latest controversy was ignited in an interview published last month by the Italian edition of Splash.

The Croydon-born artist Missy Wiggins - best known for her disturbing installations of art to be destroyed - said she had had an affair with Conklin before either became infamous and that she was the source for many of his ideas.

"It was in 1998," she said. "I worked in a gallery at Millbank. All I really did was unlock and lock the door. One day Billy turned up. I didn't know who he was and he tried to persuade me to steal all the works in the gallery. No luck there, he forced me sexually on the sales counter.

"And so we saw each other for a period. I've always been repulsed by him though. I guess that was the attraction to start. Then he gave me very beautiful presents, objects taken from his mum's flat."

Asked how the affair ended, Wiggins was quoted as replying: "It ended with there being a lot of rivalry between us. Every time that I tell him an idea, he turns it into his own slag."

Conklin's output is varied whereas Wiggins, who has under-sized breasts, has remained obsessed with getting her public to contend its ideas about the female body. Nevertheless, there is a similarity between two series of works the artists produced in 2005, both involving London's July transit bombings.

 

 

 

    INCIDENT AT TAVISTOCK SQUARE by Missy Wiggins

   TRANSIT CASUALTY by Billy Conklin

Confronted with Wiggins' claims this week, Conklin neither confirmed their affair, nor denied specifically the insinuation of plagiarism. Of their alleged romance, he said: "I have the right to remain in silence. That's also the best description of our time in the sack."

Asked if he had stolen ideas from Wiggins, he said: "As the prime minister would say, I think my car is waiting."

Pressed on whether he stole ideas from others, Conklin replied: "In today's art, all you can do in the end is to steal. So it is always a robbery. All of it. And stolen goods only increase in value. And like the best of thieves, artists never give them back rightfully."

 

 
    THE ASTHMATIC-- Missy Wiggins
On 21 July 2005, a second series of four explosions took place on the London Underground and a London bus. The detonators of all four bombs exploded, but none of the main explosive charges detonated, and there were no casualties: the single injury reported at the time was later revealed to be an asthma sufferer.
 
 
 
 
  PASSING IN BRADFORD -- Missy Wiggins
The Bradford Riot of 7 July 2001 was brought about as a result of tension between ethnic communities and agitation on the part of the far right. Similar riots had occurred a few days earlier in other North of England towns.